Moisés Ortiz (b. 1981, Mexico City) is a Los Angeles–based visual artist whose work explores the fragile threshold between perception, memory, and time. His paintings emerge through a sustained dialogue between geometry, gesture, and material, where abstraction becomes a means of preserving experiences that disappear as they are lived.

Ortiz received an MFA in Visual Arts from the Faculty of Arts and Design at the National Autonomous University of Mexico (UNAM). While his academic training established a rigorous foundation in painting and visual theory, it was the years that followed, not the classroom, that transformed his practice.

After completing his studies, Ortiz stepped away from exhibiting for nearly a decade. During this period of deliberate distance, he immersed himself in design, where systems, structure, and visual communication sharpened his understanding of composition while raising deeper questions about intuition, vulnerability, and the limits of representation. The absence became formative. When he returned to painting, it was with a language rebuilt from experience rather than inherited tradition.

Today, Ortiz's work exists between precision and instability. Layered geometries, gestural marks, and evolving surfaces record a process of continual revision, where construction and erasure carry equal weight. Rather than illustrating fixed ideas, his paintings invite sustained looking, offering spaces where meaning remains fluid and perception itself becomes the subject.